“(…) that’s cinema for us: inventing (always) other possible maps.

in spite of:

speculation,
the markets,
their logic and their lobby,
the dependence on the big festivals (of the north),
bureaucracy,
rights turned into privileges,
the competition between partners,
resignation,
the design of target audiences,
the rage,
the millions of people without cinemas,

it’s very cold and people embrace each other in the dark.
on the screen it’s daytime and there’s a city enclosed between mountains.

a fire in the shadows (…)”